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Music
Therapy with Partially and Totally Blind Individuals and People with
Multiple Handicaps Using Roberto Ghiozzi's Model of Humanistic
Transformational Music Therapy
Francesca Bresaola & Giulia Stola
This
paper reports the experience of the authors at the “Cooperativa Luce e
Lavoro” Day Centre (CEOD – or Day Educational and Vocational Centre) in
Verona, Italy. The authors' work as music therapists within a project,
that aims to develop the social-relational autonomy of its patients. · a period of observation at the Day Centre while sharing moments of everyday work and recreational activity to establish a secure baseline; · periodical team meetings with the Centre's psychologist Dr. G. Albertoli, tutors and assistants to learn about various types of handicaps of the patients and relative observations;
·
music
therapy sessions with groups of 2 or 3 individuals.
Using a
specific procedure including different techniques of the Humanistic
Transformational Music Therapy model, the patients were accompanied
through a process of awareness and recognition of themselves, to
eventually establish a communication bridge with others. In order to
carry out these stages of therapy, it was important and indispensable to
establish a significant empathetic relationship with each patient. · By utilizing various senses, a partially blind and deaf patient with signs of autism experienced vibrations from musical instruments on their body; · A massage through sound vibrations conducted through the bones using sounds from a pentatonic Zither (Kantele) and various other musical instruments; · One totally blind patient with considerable difficulty in social relations managed to use timbres and rhythms of various intensity autonomously, sometimes being led. · Communication through sounds Methods · Humanistic Transformational Music Therapy model · Clinical improvisation and listening to music · Use of sound vibrations at different frequencies and intensity · Massage with sound vibrations Objectives · To develop listening and attention skills · To develop perceptive potential · To be able to form relationships · Communication Results · Capacity to listen, interact and form relationships
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Capacity to communicate through music parameters (keeping time, rhythm,
energy, intensity)
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