Music Therapy and the young autistic person: the use of music therapy with an autistic client approaching young adult life.
 

Author:

Peter Whelan

 

Abstract:
This paper is the culmination of work submitted in fulfilment of a MPhil Research Project at Bristol MusicSpace/University of West of England. A qualitative single-case study, it attempts to explore a young autistic person’s experience of developing into adulthood and the role of music therapy when supporting this transition. An understanding the nature of our music therapy relationship, the music therapy process and the role of music therapy when supporting his developmental, transition is sought. The relationship between the music therapy process and the developmental process of becoming a young adult is explored in particular discussing the process of regression and merging in transitional development. A micro analysis of three stages of the therapeutic process took place by collecting three random samples from three distinct stages in therapy and analysing through western musical notation and also, English prose reminiscent of Tovey. Each stage of the therapeutic process is examined from four perspectives: subjective reflection of the therapy experience (T1); objective advice from the clinical supervisor viewing the video material at that time (T2); new musical and written analysis of the video material through musical analysis in the present (R1) and in the role of researcher (R2) comparing T1, T2, R1 and R2 with one another. Further triangulation of the data material occurs by considering data from psychodynamic, psychological and social construct theories, to consider how meaning was constructed at the time of each session; testing validity. A macro analysis is developed by juxtaposing each perspective of the musical data with one another seeking any new meanings and a better understanding of reasons for interpretations. Some traditional theories suggest that merging and regression are detrimental to the autistic person. The data analysis and conclusion offer new perspectives on old interpretations and suggest reasons why merging occurs, might it be important within the dual processes of music therapy and adolescence and how it used effectively.
 

Biographical details:
Peter Whelan is senior music therapist in the largest special school in the UK catering for pupils aging from 3 to 19 years old with a wide range of needs. He also works at the Clinical for Dissociative Studies with people with DID/MPD and he has a private practice. He has just completed his MPhil Research Degree with Dr. Bunt and Dr. Daykin at the University of the West England.